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I'm trying to get my hats to sound less robotic.
I swing them
I use different velocities
I use different samples
What am I missing? What are some good tips when it comes to hi hats?
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Those are the main things to consider. A lot if it is just down to the actual execution. In the mix I did yesterday I noticed how the hats took on a much more natural feel when the mix as a whole came together better. Another thing to try is make sure you hipass them, and also try adding some attack to them (so they fade in).
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08-15-2008, 01:29 PM
(This post was last modified: 08-15-2008, 01:42 PM by NuEra.)
Do you use any time based effects? verb, delay, chorus?
How hi do we want to pass them?
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Yes I do, delay of course is a big one. I just used some chorus on an open hihat yesterday while working on a remix, just subtle to keep it from sounding flat/dry.
Just hipass most of the mids and upper mids to clean them up.
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Ive always suspected delay but whenever I try the results are negligible. I'll give it another go, thanks!
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There's something about using delay as opposed to manually programming the same pattern. I seem to be able to get them to 'swing' in a way that manual doesn't always do as intuitively. Also try just a touch of filtering on the delay to separate the hits a bit more.
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Yyes I have all my delay, verb and chorus busses set up with a hi and lo passes plus an eq.
I'm assuming short delay times and low feedback?
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Medway Wrote:There's something about using delay as opposed to manually programming the same pattern. I seem to be able to get them to 'swing' in a way that manual doesn't always do as intuitively. Also try just a touch of filtering on the delay to separate the hits a bit more.
Interesting...makes sense.
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I read this article in sound on sound about reverb. It says to use a global reverb (or two one longer one shorter) to give your tracks a spatial identity. So does this apply to the high hats? Ie is reverb used on high hats..1: at all? 2: In conjunction with delay? or 3: One or the other?
Keeping in mind the general rule of there are no rules in music, I am just trying to educate myself more on common practice.
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It can but that's a fairly generally piece of advice. It just means that in a natural situation, say a live a band, everyone would be playing in the same 'space'. So to emulate that you'd use a single verb across all the parts. Whether this applies to your type of mix though is up to you. I don't really apply verb in this sense anymore as things are more dry now.
A short room verb on hats can be cool to just make them a bit bigger and dispersed sounding.