12-03-2008, 05:10 PM
Not fully understanding what he is getting here. Is there a logic equivalent?
Source: http://www.beatportal.com/feed/item/prod...utomation/
Josh Gabriel
Automation is the key element in telling a good story with your tracks.
Since I switched to Live for my productions, the biggest change has been the use of macros in the instrument and effect racks.
By assigning multiple synth and effect parameters, like reverb, filter cutoff - or exotic stuff in Operator, like modulator amount or tuning - you can make a sound completely transform over time.
The idea behind my automation techniques is to set up a sound so that it goes from one extreme to another.
When the macro knob is set to zero, the sound is small and restrained, but at maximum itâs huge.
By continuously varying the value of one or more macro knobs, I can play with the sound over the course of a track, making it build all the way to the peak via automation.
Another great thing about macros is that if you want to add an effect to an already automated track, itâs just a matter of tying the new effect to the range of the macro so it follows the feel of the existing automation.
Source: http://www.beatportal.com/feed/item/prod...utomation/
Josh Gabriel
Automation is the key element in telling a good story with your tracks.
Since I switched to Live for my productions, the biggest change has been the use of macros in the instrument and effect racks.
By assigning multiple synth and effect parameters, like reverb, filter cutoff - or exotic stuff in Operator, like modulator amount or tuning - you can make a sound completely transform over time.
The idea behind my automation techniques is to set up a sound so that it goes from one extreme to another.
When the macro knob is set to zero, the sound is small and restrained, but at maximum itâs huge.
By continuously varying the value of one or more macro knobs, I can play with the sound over the course of a track, making it build all the way to the peak via automation.
Another great thing about macros is that if you want to add an effect to an already automated track, itâs just a matter of tying the new effect to the range of the macro so it follows the feel of the existing automation.

