05-02-2009, 06:20 PM
Just looking to gain a little insight into what sort of typical signal processing is effective with basslines. I know like all things, a good source sound is the most important, but what happens for here.
My template is set so I start with a low cut at 30hz, and then a compressor side chained to my kick, and then an eq where I'll usually end up with a couple 2-3 db cuts (with a wide q) at the frequencies I feel are the most resonant. Then I usually add some sort of vintage compressor from my UAD collection.
My first question is, when using multiple layers of compression, and sidechaining is involved, where is it best to put the sidechained compressor in the signal chain?
How much gain reduction should we be lookng for from the kick-chained compressor? About 4-6db? What about attack time? Because its from the Kick should we have a 0ms or because its being used on a bassline, should we give it a few m.seconds of attack?
I'm also looking to find out what other tools can be used to add a little bit of umfumf to the final bassline?
My template is set so I start with a low cut at 30hz, and then a compressor side chained to my kick, and then an eq where I'll usually end up with a couple 2-3 db cuts (with a wide q) at the frequencies I feel are the most resonant. Then I usually add some sort of vintage compressor from my UAD collection.
My first question is, when using multiple layers of compression, and sidechaining is involved, where is it best to put the sidechained compressor in the signal chain?
How much gain reduction should we be lookng for from the kick-chained compressor? About 4-6db? What about attack time? Because its from the Kick should we have a 0ms or because its being used on a bassline, should we give it a few m.seconds of attack?
I'm also looking to find out what other tools can be used to add a little bit of umfumf to the final bassline?

