Just got a mail about this, great time to pick these up. Highly recommend both the EQ and Dynamics which are staples for me:

http://www.sonnoxplugins.com/ws/pub/plug...shop-b.htm

Dear one and all ,

A Mint condition Akai Mpc 4000 is up for sale here .
You can find more info for this reputable sampler here.

http://www.akaipro.com/mpc4000

Interested buyers please send me any queries via email and i would gladly answer them.

Cheers
Angela
angelaflame@me.com

Until August 9th I'll not be taking in any new mastering jobs for existing clients. For any new clients the next available date will be August 17th.

This is partly to catch up on some things, take a small break and get time to work properly on the Ableton course as I have a lot more material I need to cover.

Thank you for your patience and I look forward to being able to update the course.

Closer Than Close 2010 The re release of the genre defining classic with remixes so carefully picked you will see why once you check them out. Roll Calling LOOSE CANNONS : SAM YOUNG & I SANCHO : LEE MORTIMER : JUSTIN FRY : DJ@WAR : THE FERAL YOUTH : LAFAYETTE : V MAN & ONARI all re rubbing this masterpiece in there own unique and amazing way…Big Remix Package…BIG TUNE…NOW LETS DO THIS!

Listen here - http://www.youtube.com/watch?v=upRu0ExAXhk


Buy your copy here - http://tinyurl.com/closerthanclose

Join the Facebook Group here - http://www.facebook.com/group.php?gid=13...619&ref=ts

Any thoughts on this? Mixbus
Looks really cool especially those saturation knobs

As of this weekend I'll be in a nice new spot over in the east end of London in Shoreditch, building houses others acts such as Simian Mobile Disco, looks to be a great place overall..

I will also be taking in bookings again for engineering sessions so if anyone is interested please drop me a line.

been a while since i have had a question to post on here. been wrapped up in the online vids. anyone here that hasn't registered yet and is thinking about it, definitely do it, very helpful stuff, great value for your $

asked jesse this question earlier in the week but curious to hear about other ppl have to say as well..

i am working on this track and it sounds great in my headphones but doesn't translate to my mains. it has such a nice deep bass that drives the groove and it really carries the song when i listen in headphones. But in my mains, the deep bass is gone and the song seems to loose its life. Part of the problem is I live in an apt with super thin walls (i know everyone's worst nightmare) so don't get much opportunity to turn up the volume. I am wondering if this could lead to not getting the full picture out of the mains. Typical composing time I spilt maybe 50/50 with out loud and headphones. I just checked and out loud when I work I am probably only listening around 76-77db most of the time.

I don't know what my exact question is here to be honest. Basically I just need help figuring out how to make the most out of my situation. How to I get the vibe that I am hearing in my headphones, out my mains. Save me from headphone mix hell...

fyi, i am working with sony mdr 7506s and mackie 628s.

Thanks

Just thought id share this with you guys.
Blue Tubes is having a sale on their EFX bundle.
Any Blue Tubes Users on here?
Need to get some info on your experiences using their plugs
Read on SOS Mag that the CH2 is pretty cool for its auto-pan features.

a friend came by and we got into a discussion about this. i was continually getting spikes beyond the stereo field in a project and he thought it was completely irrelevant if everything was done ITB. He stated it would only be something to worry about if you were actually recording an audio signal and that you almost couldn't truly go out of phase if, as stated, it was all created ITB. he also pointed out chorus, phaser, flange, are all supposed to modulate the signal out of phase as that is there intent.
so is it really not an issue to worry about if everything is ITB start to finish? Which also got me thinking; almost all PA systems are mono so even if a part was truly out a little would it really make an audible distinction in a club or party setting?

I have my two latest and greatest tracks and would like to send them to some labels, would like to get any feedback before I send them out. I think generally you would get them mastered after you get them signed to a label, but I would be willing to consider getting them done before if it would up my chances of getting them signed.

I just posted them to my myspace and bandcamp right now, but will post to my website and soundcloud soon. The songs are "Deranged" and "Always up to no Good". My style is tech house/trance. Here are the links to where you can hear them:

http://www.myspace.com/justinwaters1
http://justinwaters.bandcamp.com
http://www.justinwatersmusic.com

Thanks in advance.