Place these in "C:\Program Files\Waves\Plug-Ins\Q-Clone presets\"

Attached Files

  Daking 1.zip (Size: 1.37 MB / Downloads: 31)
  Daking 2.zip (Size: 1.34 MB / Downloads: 27)

Well no sooner did I realize they've offered the N series as a separate package from the Mercury bundle now they've gone and modelled the API series eqs and compressor as well.

http://www.waves.com/Content.aspx?id=3565


Will be interesting to see how these sound.

Can somebody help me with tips on how to create a proper/quality sweep or "lifting" sound like you can hear in most house productions? One needs to be original, but I think I first have to learn the basics before I can move to the next level...

I think I know my ways with a lot of parts of a housetrack, but it's the little specific things inside my head that I want to add but I really don't know how to produce them...

I am using FL Studio 7 XXL and I hope the program is advanced enough to create these sound effects easily...

http://www.propellerheads.se/products/reason4/index.cfm?fuseaction=get_article&article=main

Looks like some interesting things going on there, most notably the regroover with groove quantization functions.

Anyone here really using Reason 3.0 much?

Was wondering if anyone had any cool techniques to create that pulsating pad sound? I use a compressor with a sidechain input, but sometimes that clamps down on the source material too much. I do like the capability of changing the bounce or rotation of the pad with the attack & release controls, but sometimes it is hard to hit the sweet spot that doesn't cause the track to lose energy.

I'd like to take a poll on how the forum is loading for you guys and gals to make sure its running smoothly for everyone.

So please let me know if you've had any issues so far.

Thanks,

Jesse

Thanks to everyone who came out to this event. Was a great time and good to meet everyone. We hope to be doing more of these events monthly starting early next year.


Jesse

How about everyone post their myspace links so we can all get familiar with each others tunes, utilizing the player to give/receive feedback... Perhaps a little easier than uploading elsewhere, and the ability to hear larger files...

Jesse, what do you think of the state of music technology as it is today, particularly native types of effects, synthesizers, mixing tools vs. their dsp counterparts. What do you like from each and why?

Thanks.

Same question as before, but instead of compression, what bit depth (16, 24, 32) would you recommend for the source files for mixing or mastering projects?

Thanks,
Sven