Ok we had topic,great topic,about processing baslsines


now what are your techniques of processing synths,how do you make this flat raw sounding synth sound great ?

I often struggled with it and it required from me quite a lot of tweaking in order to acchieve desired effect.


How do you compress,how do you EQ and gel it with whole mix ?

I usually start with one of my fav softsynths, then if needed i put a reverb,then EQ ,and then whole this signal is being send to compressor .

Though i know i still have to learn much much more and experiment.

Any tips,suggestions,advices liek in topic about basslines?it was extremely usefull ,and thanks to medway tip with hipassing i started to use one good hipass filter,bit of distortion and those basslines rock...




for example in mylo-drop the pressure,i just love how this main sound is pumping .it is so uncomplicated,but at once it is good enough to make perfectly groovy track

Hey,

I am mastering my sounds and using PAZ Analyzer to help get an overview of my sample. I am unsure how to fix the sounds that go out of the stereo field range for left and right channels, sounds that pass into the red AntiPhase area.. is there a plug in for this to remove them or is it more technique with EQ'in or something?

With my massive project template in Logic I have brutal latency playing any sort of soft synth/sampler with my usb keyboard. Even with the buffer down to 128 the latency was unaffected.

I opened a blank project and created one instrument track and the latency was no longer an issue.

So obviously the latency has something to do with my extensive template.

- Where is the balance between having a rad template and a manageable level of latency that you can play parts in comfortably?
- Is there anyway to have a super rad template and not have latency?


I can acknowledge that one possible soultion is to render the project play parts over top in a new session and then import those parts back into the main session. However, that seems like a bit of a run around.

This is pretty much a blank slate type of topic for me, so any help/explanations are appreciated.

Question is..

What are some ways I can completely turn my track to shit for a bar and then smack it right back reality.

so like track is grooving along...
xyxyxyxyxxyxyxyx %^&JF xyxyxyxy

How would effects on the master bus come into play in this situation when rendering for a stem master?

Haven't posted a mix in a while but did one for DJ Fady's Goosebumps show on Frisky. Have also got a top 10 as featured in this months DJ Mag:

http://www.medwaystudios.com/news

i have a good track and need information for mastering . If i send my track do you whant all the layer separate or only the base line and kik ???


Thank you !! you can see my label http://www.vortekrecords.com

Just a quick question about the order of processing for a typical deep sub bass sidchained to the kick...

best to put the compressor with the side chain first and then a second compressor after to even things out with a couple db of non side chained compression

or would you do regular compression first and then compress with your side chained compressor

opinions?

I usually layer 2 claps and a snare or vice versa. I just can't seem to take that harsh edge off it and smoothen it out. I read somewhere here about using the Vintagewarmer.

Hey guys.. I'm kind of a lurker on here. Check in every so often. Thought I'd share a track with this group. Any thoughts are welcome. I would describe it as "feelgood breaks."

http://soundcloud.com/grade-e/the-ascension

Thanks.

Purchased a dual E6750 a year ago which I o'cd to 3ghz but recently seems it's not keeping up anymore. Have a quad q6600 on the way which is supposed to be very overclockable as well.

Anyone gone from dual to quad and seen a nice performance gain?